Student Location Testimonials

San Francisco: Golden Gate Bridge Workshop

by Joseph Gambardella

DPA San Francisco student Joseph Gamardella shares his experience shooting with DPA photographer Eric Sahlin.

 

Image by Joseph Gambardella

 

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Vasna's Presentation at Calumet

by Roi Brooks

DPA Student, Roi Brooks, shares on his experience with DPA instructor, Vasna Wilson

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Sausalito (San Francisco) Composistion in the Field Workshop

by masami takesue

DPA San Francisco student Masami Takesue shares her experience with shooting with DPA photographer Vasna Wilson.

 

Image by Masami Takesue.

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San Francisco: Beginner

by masami takesue

DPA San Franfisco Student Masami Takesue shares their experience with shooting with DPA photographer Vasna Wilson.

 

Image by DPA instructor Vasna Wilson

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San Francisco: Beginner Class with Vasna Wilson

by Dave Hawkins

Image by Vasna Wilson

 

"I felt every "issue" for a beginner was covered...."

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Advanced Chinatown workshop with Vasna Wilson

by Brian Kohlman

Vasna...

I really enjoyed meeting you and working with you during our shoot on Sunday.  Thank you...I am a sponge for knowledge and feel I learned a lot from you!  I imported my images and have begun editing them.

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San Francisco: Intermediate

by Adrienne

Great class, very comprehensive.

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San Francisco: Intermediate

by Daniel Cheng
Thank you for responding to the feedback, I very much appreciate the fact that you took the time to read and understand the comments. Your instructors and the fact that you have small classes is very much a plus. Having been to several corporate sponsored events I find that your DPA approach very well done.

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San Francisco: Advanced

by Susan Parish
Thank you very much for a great class. It was extremely valuable for me...resonating throughout yesterday and this morning.

I have a question. In thinking about depth of field and the photos I have been taking (prior to the class) I realized that I was keeping more in many of the pictures because of composition and structure. I enjoy the push and pull of forces both negative and positive in the photo beyond subject matter, this coming from my painting/design background BUT, I try to not subjugate the subject to the structure because I don't want the coldness that comes from too much attention to structure. This is different than finding a point of attention focus as would be the case using depth of field. So, with individual portraits, verses group, I get in really tight so there is nothing but identity and the environment is non existent. Any thoughts to introduce a beam sunlight?

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San Francisco: Advanced

by David Mullin
Last month I participated in a one day photography workshop put on by Digital Photo Academy. There ended up being four of us who took the class. Our instructor, Alissa Everett, took us down to the San Francisco Ferry Building farmer's market. We spent about 3 1/2 hours just shooting away. Afterwards, we went back to our gathering place, downloaded our photos, selected the 10 best, then Alissa critiqued them and gave us pointers on improving our composition, etc. I highly recommend taking the class.

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San Francisco: Beginner

by Laura La Gassa
I thought the course was awesome. I've been to beginner digital photography workshops before and they never seem to get past how to turn the camera on and change the memory cards. This course ended up covering the major topics I was most curious about, and now I want to take the next course!

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